{"id":2699,"date":"2024-10-15T09:48:41","date_gmt":"2024-10-15T09:48:41","guid":{"rendered":"https:\/\/romanigodi.org\/?p=2699"},"modified":"2024-10-15T09:48:41","modified_gmt":"2024-10-15T09:48:41","slug":"dizi-ve-filmleri-inceliyoruz","status":"publish","type":"post","link":"https:\/\/romanigodi.org\/?p=2699","title":{"rendered":"Dizi Ve Filmleri \u0130nceliyoruz"},"content":{"rendered":"

ATE\u015eL\u0130 \u00c7\u0130NGENE<\/strong><\/h3>\n

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Erich von Stroheim\u2019in 1935 Paprika adl\u0131 eserinden uyarlanana Ate\u015fli \u00c7ingene filmi, 1969 y\u0131l\u0131nda Metin Erksan taraf\u0131ndan y\u00f6netilmi\u015ftir. B\u00fclent Oran\u2019\u0131n senaryola\u015ft\u0131rd\u0131\u011f\u0131 filmin ve ba\u015frollerini T\u00fcrkan \u015eoray ile Ediz Hun payla\u015fm\u0131\u015ft\u0131r. Film, Roman toplumunun kendi
\nzaman\u0131n\u0131n sosyal ve k\u00fclt\u00fcrel ba\u011flam\u0131nda nas\u0131l alg\u0131land\u0131\u011f\u0131n\u0131 yans\u0131t\u0131r niteliktedir.<\/p>\n

Ba\u015f karakterler Gelincik (T\u00fcrkan \u015eoray taraf\u0131ndan canland\u0131r\u0131lm\u0131\u015f) ve Ali (Ediz Hun taraf\u0131ndan
\ncanland\u0131r\u0131lm\u0131\u015f), k\u00f6ylerindeki toplumsal d\u00fczeni ve kendi i\u00e7sel \u00e7at\u0131\u015fmalar\u0131n\u0131 a\u015fmaya \u00e7al\u0131\u015f\u0131rken, a\u015fk ve hayal k\u0131r\u0131kl\u0131\u011f\u0131 gibi insani duygularla ba\u015fa \u00e7\u0131kmaya \u00e7al\u0131\u015fan Roman bireylerdir. Film, bu karakterlerin i\u00e7sel yolculuklar\u0131n\u0131 ve daha geni\u015f sosyal \u00e7evreleriyle olan ili\u015fkilerini ke\u015ffeder.<\/p>\n

\u2018Ate\u015fli \u00c7ingene\u2019: Romanlara Y\u00f6nelik \u00d6nyarg\u0131lar<\/strong><\/h3>\n

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T\u00fcrkiye sinemas\u0131n\u0131n Romanlar\u0131 konu alan filmler i\u00e7erisinde ilki olma \u00f6zelli\u011fi ta\u015f\u0131yan ve \u00f6nemli \u00f6rneklerinden biri olan &quot;Ate\u015fli \u00c7ingene&quot; filminde Romanlar\u0131n betimlenme bi\u00e7imi hali haz\u0131rda kal\u0131pla\u015fm\u0131\u015f toplumsal \u00f6nyarg\u0131larla birle\u015fti\u011finde genellikle Romanlara dair yanl\u0131\u015f anlamalara, damgalanmaya yol a\u00e7abilir.<\/p>\n

Filmlerin sadece e\u011flence de\u011fil, ayn\u0131 zamanda toplumsal alg\u0131lar\u0131 etkileyen bir ara\u00e7 olarak i\u015flev g\u00f6sterdi\u011fi d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcnde, filmde ge\u00e7en Romanlara y\u00f6nelik olumsuz tasvirler hem tarihsel hem de k\u00fclt\u00fcrel bir ba\u011flamda de\u011ferlendirilip, filmin karakterizasyonuna ve anlat\u0131 y\u00f6ntemlerine dikkat edilmelidir.<\/p>\n

Stereotipler ve Genelle\u015ftirme<\/h3>\n

Pop\u00fcler temsilin Romanlara at\u0131flad\u0131\u011f\u0131 \u00f6zellikler elbet \u201cAte\u015fli \u00c7ingene\u201d<\/strong> filminde de bolca yer almaktad\u0131r. Ba\u015frolde T\u00fcrkan \u015eoray\u2019\u0131n oynad\u0131\u011f\u0131 kad\u0131n Roman karakterimiz Gelincik \u201c\u00c7ingene kad\u0131n tipi \u00f6nyarg\u0131s\u0131ndan\u201d<\/strong> yola \u00e7\u0131k\u0131larak k\u0131rm\u0131z\u0131 renkte kabar\u0131k etekli, halka k\u00fcpeli, uzun siyah sa\u00e7l\u0131, s\u0131kl\u0131kla sa\u00e7\u0131na k\u0131rm\u0131z\u0131 g\u00fcl takan, dans\u00f6zl\u00fck ve falc\u0131l\u0131k yapan, nazl\u0131, cilveli, yalan s\u00f6ylemekten \u00e7ekinmeyen ve tutkulu bir kad\u0131n olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.<\/p>\n

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Filmdeki karakterler s\u0131kl\u0131kla h\u0131rs\u0131zl\u0131k, doland\u0131r\u0131c\u0131l\u0131k, \u00e7ocuk ka\u00e7\u0131rma ve benzeri su\u00e7lar ile ili\u015fkilendirilmi\u015ftir. \u00d6rne\u011fin, bir karakterin ba\u015fka bir karaktere, \u201cO \u00c7ingene yine bir i\u015f \u00e7evirmi\u015ftir\u201d<\/strong> ya da \u201c\u0130t iti \u0131s\u0131rmaz \u00c7ingene \u00c7ingeneyi soymaz ama sen \u00c7ingeneden de a\u015fa\u011f\u0131l\u0131ks\u0131n\u201d<\/strong> gibi repliklerde Romanlar\u0131n temsili, izleyicilere bu grubun su\u00e7la ili\u015fkisine dair yanl\u0131\u015f bir alg\u0131 vermekte ve kriminalize etmektedir.<\/p>\n

Roman karakterleri genellikle toplumun normlar\u0131na uymayan, kaotik bir ya\u015fam tarz\u0131 sergileyen d\u00fczensiz ve g\u00fcvenilmez ki\u015filer olarak g\u00f6sterilir. \u201c\u00c7ingene d\u00fczensizdir, hi\u00e7bir yere ait olamaz\u201d<\/strong>, giri\u015f \u015fark\u0131s\u0131n\u0131n bir d\u00f6rtl\u00fc\u011f\u00fcnde \u201c\u00c7ingeneler ma\u015fa yap\u0131p satarlar satarlar, \u00e7ocuklar\u0131 g\u00f6bek atarlar atarlar, 35\u2019i bir yatakta yatarlar yatarlar, ah bu \u00c7ingeneler hi\u00e7bir \u015feye k\u0131ymet m\u0131ymet vermezler\u201d<\/strong> gibi ifadeler ve sahnelerde s\u0131kl\u0131kla kar\u015f\u0131la\u015f\u0131lan \u00e7ad\u0131rlarda, e\u011freti yataklarda ya\u015fayan karakterlerin g\u00f6sterilmesi bu karakterlerin toplumla uyumsuzluklar\u0131n\u0131 vurgular.<\/p>\n

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G\u00fc\u00e7 Dengesizlikleri ve Negatif Alg\u0131<\/h3>\n

Roman karakterlerinin \u201cSeninle i\u015f yapmam, sen bir \u00c7ingene\u2019sin\u201d<\/strong>, \u201cD\u0131\u015far\u0131 \u00e7\u0131k \u00c7ingenelerin yeri de\u011fil buras\u0131\u201d<\/strong> gibi s\u00f6ylemlerle s\u00fcrekli olarak k\u00fc\u00e7\u00fck d\u00fc\u015f\u00fcr\u00fclmesi ve \u00f6tekile\u015ftirilmesi, nefret s\u00f6ylemi a\u00e7\u0131s\u0131ndan \u00f6nemli bir g\u00f6stergedir.<\/p>\n

Toplumsal Damgalar ve K\u00fc\u00e7\u00fcmseme<\/h3>\n

Roman karakterlerinin geleneksel giyimleri, danslar\u0131 veya ya\u015fam tarzlar\u0131 alay konusu edilerek \u201cBu \u00c7ingene k\u0131l\u0131\u011f\u0131na bak, nas\u0131l da eski kafal\u0131\u201d gibi bir diyalog, geleneksel ya\u015fam bi\u00e7imlerinin k\u00fc\u00e7\u00fcmsenerek izleyicilerin bu gelenekleri \u201cgeri\u201d<\/strong> veya \u201ctuhaf\u201d<\/strong> olarak g\u00f6rmesine neden olabilir.<\/p>\n

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Roman karakterlerinin, Roman olmayanlar taraf\u0131ndan \u201cBu \u00c7ingene toplumda bir yer bulamaz\u201d<\/strong> ya da \u201cOndan bestek\u00e2r olmaz anca olsa olsa kalayc\u0131 \u00e7\u0131ra\u011f\u0131 olur\u201d<\/strong> gibi s\u00f6ylemlerle s\u00fcrekli olarak d\u0131\u015flanmas\u0131 ve ayr\u0131mc\u0131l\u0131\u011fa u\u011framas\u0131, toplumsal damgalar\u0131n ve ayr\u0131mc\u0131l\u0131\u011f\u0131n yans\u0131mas\u0131d\u0131r ve ayr\u0131mc\u0131l\u0131\u011f\u0131 normalle\u015ftirmektedir.<\/p>\n

Filmlerde yer alan bu t\u00fcr temsiller, filmin izleyiciler \u00fczerinde Roman toplumu hakk\u0131nda toplumsal \u00f6nyarg\u0131lar\u0131 peki\u015ftirerek, yanl\u0131\u015f ve olumsuz bir alg\u0131 olu\u015fturmas\u0131na ve Romanlar\u0131n toplumda d\u0131\u015flanmas\u0131na yol a\u00e7abilir. Bu ba\u011flamda incelendi\u011finde, filmin i\u00e7indeki diyaloglar ve temsiller, toplumsal ayr\u0131mc\u0131l\u0131\u011f\u0131n ve nefret s\u00f6yleminin nas\u0131l yay\u0131labilece\u011fine dair \u00f6nemli \u00f6rnekler sunar.<\/p>\n

Yazar: Ayb\u00fcke Pehlivan<\/h3>\n

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Romani Godi (@romani_godi) \u2022 Instagram foto\u011fraflar\u0131 ve videolar\u0131<\/a><\/span><\/p>\n

***Roman Haf\u0131za \u00c7al\u0131\u015fmalar\u0131 Derne\u011fi (Romani Godi) ve Avrupa Roman Haklar\u0131 Merkezi (ERRC) taraf\u0131ndan y\u00fcr\u00fct\u00fclen\u00a0 “T\u00fcrkiye’de Romanlara Y\u00f6nelik Nefret S\u00f6ylemleriyle M\u00fccadele” projesini g\u00f6n\u00fcll\u00fclerimizin kat\u0131l\u0131m\u0131yla ger\u00e7ekle\u015ftiriyoruz. Bu etkinlikler Hollanda Krall\u0131\u011f\u0131 b\u00fcy\u00fckel\u00e7ili\u011fi \u0130nsan Haklar\u0131 Fonu ile desteklenen proje kapsam\u0131nda d\u00fczenlenmektedir. \u0130\u00e7eri\u011finin sorumlulu\u011fu Romani Godi’ye aittir ve Hollanda Krall\u0131\u011f\u0131 b\u00fcy\u00fckel\u00e7ili\u011finin g\u00f6r\u00fc\u015flerini yans\u0131tmamaktad\u0131r.<\/p>\n

\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\"\"\u00a0 \u00a0 \u00a0 \u00a0 \"\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \"\"<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

ATE\u015eL\u0130 \u00c7\u0130NGENE   Erich von Stroheim\u2019in 1935 Paprika adl\u0131 eserinden uyarlanana Ate\u015fli \u00c7ingene filmi, 1969 y\u0131l\u0131nda Metin Erksan taraf\u0131ndan y\u00f6netilmi\u015ftir. B\u00fclent Oran\u2019\u0131n senaryola\u015ft\u0131rd\u0131\u011f\u0131 filmin ve ba\u015frollerini T\u00fcrkan \u015eoray ile Ediz Hun payla\u015fm\u0131\u015ft\u0131r. Film, Roman toplumunun kendi zaman\u0131n\u0131n sosyal ve k\u00fclt\u00fcrel ba\u011flam\u0131nda nas\u0131l alg\u0131land\u0131\u011f\u0131n\u0131 yans\u0131t\u0131r niteliktedir. Ba\u015f karakterler Gelincik (T\u00fcrkan \u015eoray taraf\u0131ndan canland\u0131r\u0131lm\u0131\u015f) ve Ali (Ediz […]<\/p>\n","protected":false},"author":1,"featured_media":2713,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,18],"tags":[],"class_list":["post-2699","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dizi-film-incelemeleri","category-kultur-ve-sanat"],"_links":{"self":[{"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/posts\/2699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romanigodi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2699"}],"version-history":[{"count":0,"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/posts\/2699\/revisions"}],"wp:attachment":[{"href":"https:\/\/romanigodi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romanigodi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romanigodi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}