{"id":2763,"date":"2024-12-25T14:13:11","date_gmt":"2024-12-25T14:13:11","guid":{"rendered":"https:\/\/romanigodi.org\/?p=2763"},"modified":"2024-12-25T14:13:11","modified_gmt":"2024-12-25T14:13:11","slug":"dizi-ve-filmleri-inceliyoruz-2","status":"publish","type":"post","link":"https:\/\/romanigodi.org\/?p=2763","title":{"rendered":"Dizi Ve Filmleri \u0130nceliyoruz"},"content":{"rendered":"

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\u00a0 \u00a0 \u00a0G\u00d6N\u00dcL<\/h1>\n

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Y\u00f6netmen Soner Caner taraf\u0131ndan hayata ge\u00e7irilen BKM yap\u0131m\u0131 \u201cG\u00f6n\u00fcl\u201d filmi, etkileyici bir a\u015fk hikayesinin yan\u0131 s\u0131ra k\u00fclt\u00fcrel etkile\u015fimleri ve bask\u0131 alt\u0131ndaki gelenekleri de ele al\u0131yor. Film, Anadolu\u2019nun \u00e7e\u015fitli yerlerine da\u011f\u0131lm\u0131\u015f Dom\u2019lar\u0131n g\u00fcndelik ve sosyal ya\u015fam\u0131n\u0131 anlatmaktad\u0131r. Film Dom grubundan Piroz\u2019un abisi ile birlikte bir k\u00f6ye d\u00fc\u011f\u00fcn i\u00e7in \u00e7alg\u0131c\u0131 olarak gitmesi ve orada S\u00fcmb\u00fcl\u2019e a\u015f\u0131k olmas\u0131n\u0131 konu al\u0131yor. Bu durum, iki farkl\u0131 k\u00fclt\u00fcr aras\u0131ndaki \u00e7at\u0131\u015fma ve farkl\u0131l\u0131klar\u0131 g\u00f6zler \u00f6n\u00fcne seriyor. Bu nedenle, filmin ortaya \u00e7\u0131k\u0131\u015f\u0131 \u00f6nemli ve tart\u0131\u015fmaya de\u011fer.<\/span><\/p>\n

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G\u00d6N\u00dcL: ROMAN M\u00dcZ\u0130\u011e\u0130 VE E\u011eLENCE ALGISI<\/b><\/p>\n

G\u00f6n\u00fc filminde do\u011frudan bir nefret s\u00f6ylemi g\u00f6r\u00fclmese de g\u00fcndelik pratikte Romanlara dair kal\u0131pla\u015fm\u0131\u015f belirli tahayy\u00fcllerin varl\u0131\u011f\u0131 s\u00f6z konusu. Bunlardan dikkat \u00e7eken iki \u00f6nemli unsur ise kavga sahneleri ve Rom ve Dom gruplarla \u00e7ok\u00e7a \u00f6zde\u015fle\u015ftirilmi\u015f; m\u00fczik.l filminde do\u011frudan bir nefret s\u00f6ylemi g\u00f6r\u00fclmese de g\u00fcndelik pratikte Romanlara dair kal\u0131pla\u015fm\u0131\u015f belirli tahayy\u00fcllerin varl\u0131\u011f\u0131 s\u00f6z konusu. Bunlardan dikkat \u00e7eken iki \u00f6nemli unsur ise kavga sahneleri ve Rom ve Dom gruplarla \u00e7ok\u00e7a \u00f6zde\u015fle\u015ftirilmi\u015f; <\/span>M\u00dcZ\u0130K.<\/b><\/p>\n

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TANRI \u0130NSANLARI YARATTI. BAKTI \u00c7OK MUTSUZLAR. ONLARA DOMLARI G\u00d6NDERD\u0130. KONUP G\u00d6\u00c7T\u00dcLER. \u00c7ALIP S\u00d6YLED\u0130LER. B\u0130R G\u00d6N\u00dcLE D\u00dc\u015eMEK \u0130\u00c7\u0130N\u2026<\/i><\/b><\/p>\n

Bu noktada G\u00f6n\u00fcl filminin tam da giri\u015findeki c\u00fcmle, kurumlar, ki\u015filer (ideolojileri fark etmeksizin) ve \u00fcst yap\u0131lar taraf\u0131ndan Romanlara atfedilen her ne olursa olsun ne\u015feli kalabilen, g\u00fclmesini, e\u011flenmesini ve hatta e\u011flendirmesini bilen insanlar alg\u0131s\u0131n\u0131 bizlere hat\u0131rlat\u0131r nitelikte.<\/span><\/p>\n

Bu tahayy\u00fcller Ate\u015fli \u00c7ingene filminde de \u00e7e\u015fitli \u015fekillerde kendisini g\u00f6stermekte. Ediz Hun taraf\u0131ndan canland\u0131r\u0131lan filmin ana kahramanlar\u0131ndan Ali\u2019nin yetenekli bir m\u00fczisyen olmas\u0131 ve bunun hemen fark edilmesi yine tam da kendisini tarihin farkl\u0131 zaman dilimlerinde s\u00fcrekli tekrar eden o me\u015fhur <\/span>\u201cyetenekli Roman m\u00fczisyen\u201d<\/b> imgesinin 70\u2019lerdeki tezah\u00fcr\u00fcn\u00fc olu\u015fturuyor. Filmdeki bu tahayy\u00fcller T\u00fcrkiye\u2019nin neoliberalle\u015fme s\u00fcrecinde asl\u0131nda Romanlara atayaca\u011f\u0131 <\/span>\u201ce\u011flendirici, ne\u015feli, ne olursa olsun mutlu\u201d<\/b> rol\u00fcn\u00fcn de bir \u00f6n izlenimi niteli\u011finde.<\/span><\/p>\n

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Bu noktada etnom\u00fczikolog Gonca Girgin\u2019in 1980 darbesinin ard\u0131ndan sertle\u015fen politik iklimine kar\u015f\u0131n, e\u011flenceli, devlete kar\u015f\u0131 gelmeyen, e\u011flendiren Roman imgesinin pop\u00fclerle\u015fmenin asl\u0131nda hi\u00e7 de tesad\u00fcf olmad\u0131\u011f\u0131 vurgusunu hat\u0131rlamak olduk\u00e7a k\u0131ymetli. Zira, bu tip tahayy\u00fcler Romanlar\u0131n hak aray\u0131\u015f\u0131nda organize olamayaca\u011f\u0131, kendi haklar\u0131 i\u00e7in m\u00fccadele veremeyecekleri gibi \u00f6n kabullerin tam da kayna\u011f\u0131.<\/span><\/p>\n

\u0130\u015fte bu sebeple tam da bu noktada \u015fu soru akla geliyor; Romanlar\u0131n tarihsel bellekte salt bir bi\u00e7imde m\u00fczik ve e\u011flence ile \u00f6zde\u015fle\u015ftirilmesi, hala temel haklar\u0131 i\u00e7in m\u00fccadele veren Rom, Lom ve Dom gruplar\u0131 nereye s\u0131k\u0131\u015ft\u0131r\u0131yor ve bu s\u0131k\u0131\u015fm\u0131\u015fl\u0131ktan g\u00fcc\u00fc tekelinde tutan ki\u015fi ve kurulu\u015flar nas\u0131l yararlan\u0131yor?<\/span><\/p>\n

San\u0131yorum hem G\u00d6N\u00dcL hem de ATE\u015eL\u0130 \u00c7\u0130NGENE gibi filmler tam da Girgin\u2019in i\u015faret etti\u011fi 1980’lerde pop\u00fclerle\u015fen Roman alg\u0131s\u0131n\u0131n devaml\u0131l\u0131\u011f\u0131n\u0131 sa\u011flayarak, asl\u0131nda Roman topluluklar\u0131 gerek politik gerekse emek d\u00fczleminde statik bir noktaya yerle\u015fmeye zorluyor.<\/span><\/p>\n

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YAZAR: BURCU YA\u015e\u0130N<\/b><\/p>\n

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Roman Haf\u0131za \u00c7al\u0131\u015fmalar\u0131 Derne\u011fi (Romani Godi) ve Avrupa Roman Haklar\u0131 Merkezi (ERRC) taraf\u0131ndan y\u00fcr\u00fct\u00fclen “T\u00fcrkiye’de Romanlara Y\u00f6nelik Nefret S\u00f6ylemleriyle M\u00fccadele” projesini g\u00f6n\u00fcll\u00fclerimizin kat\u0131l\u0131m\u0131yla ger\u00e7ekle\u015ftiriyoruz. Bu etkinlikler Hollanda Krall\u0131\u011f\u0131 B\u00fcy\u00fckel\u00e7ili\u011fi \u0130nsan Haklar\u0131 Fonu ile desteklenen proje kapsam\u0131nda d\u00fczenlenmektedir. \u0130\u00e7eri\u011finin sorumlulu\u011fu Romani Godi’ye aittir ve Hollanda Krall\u0131\u011f\u0131 b\u00fcy\u00fckel\u00e7ili\u011finin g\u00f6r\u00fc\u015flerini yans\u0131tmamaktad\u0131r.<\/span><\/p>\n

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\"\"\u00a0 \u00a0 \u00a0 \"\"<\/p>\n

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Yaz\u0131n\u0131n ba\u015f\u0131na d\u00f6n<\/a><\/p>\n

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\u00a0 \u00a0 \u00a0G\u00d6N\u00dcL   Y\u00f6netmen Soner Caner taraf\u0131ndan hayata ge\u00e7irilen BKM yap\u0131m\u0131 \u201cG\u00f6n\u00fcl\u201d filmi, etkileyici bir a\u015fk hikayesinin yan\u0131 s\u0131ra k\u00fclt\u00fcrel etkile\u015fimleri ve bask\u0131 alt\u0131ndaki gelenekleri de ele al\u0131yor. Film, Anadolu\u2019nun \u00e7e\u015fitli yerlerine da\u011f\u0131lm\u0131\u015f Dom\u2019lar\u0131n g\u00fcndelik ve sosyal ya\u015fam\u0131n\u0131 anlatmaktad\u0131r. Film Dom grubundan Piroz\u2019un abisi ile birlikte bir k\u00f6ye d\u00fc\u011f\u00fcn i\u00e7in \u00e7alg\u0131c\u0131 olarak gitmesi ve […]<\/p>\n","protected":false},"author":1,"featured_media":2713,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,18],"tags":[],"class_list":["post-2763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dizi-film-incelemeleri","category-kultur-ve-sanat"],"_links":{"self":[{"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/posts\/2763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romanigodi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2763"}],"version-history":[{"count":0,"href":"https:\/\/romanigodi.org\/index.php?rest_route=\/wp\/v2\/posts\/2763\/revisions"}],"wp:attachment":[{"href":"https:\/\/romanigodi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romanigodi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romanigodi.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}